Allegra was born in the middle of a
blizzard on a farm in Wisconsin. Her Norwegian ancestors had by-passed
the flat prairie land and settled in the coulees and hills of the
non-glaciated area near the Mississippi River. Love of poetry began as a
child when her Mom would recite poems as she worked. She has lived in
California since 1963 but her growing years on the farm brought a deep
appreciation for the natural world that stays with her and sustains her.
She has been widely published in journals
and in several anthologies. Her chapbooks include "Acceptance" by Small
Poetry Press, "In the Folds" by Rattlesnake Review and "Through
Sun-glinting Particles" published 2012 by Parallel Press in Madison,
Wisconsin. In March of 2010 she was honored to become the first Poet
Laureate for the city of Davis, CA. She also performs there with Pamela
Trokanski’s Third Stage Dance Company and sings and plays washboard with
a group called Front Porch Bluegrass.
106pp. + Soft Cover. Perfect Bound. 6" x 9".
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Though the clocks are ticking throughout this book,
Allegra Silberstein orchestrates them into “the cricket’s ballad/ the
lark’s canticle// a blue sky ringing/ above the garden wall.” Like her
poetic ancestor Ruth Stone, Silberstein confronts the hard realities and
the fleet- ing joys with a rare exuberance and vitality, striking a
balance between the contemplative and a voracious poet-speaker whose
‘companion is wolf’— a “wild child, beguiled child ...intent on the
music she hears…” Yes, there is an extraordinary savor to the poems in
West of Angels: Every second is sacred; every syllable counts. Susan Kelly-DeWitt Writer/Poet
Like some of the characters in this marvelous new
book, West of Angels, beloved and perceptive Davis Poet Laureate Emerita
Allegra Silberstein speaks “in hushed temple voices of ordinary things”
and makes the quotidian awaken and enliven, like one poem’s “gigantic
petrified eggs . . . hatching in golden shadows.” The Silberstein voice
is recep- tive to the offerings of nature, from the “lacework lichens on
an altar of fallen limbs,” to the “murmurations of light that move /
through maple leaves golden red in the winter sun.” Compelled to “speak
the tender of [her] thoughts,” Silberstein explores discoveries made
possible by an alert and sympathetic imagination, she recounts generous
insights about the human spirit, and she “mirrors with perfect clarity”
the specific and chromatic variety of the natural world. Silberstein’s
writing reminds us why, as one poem’s title tells us, “there are so many
reasons for singing,” and each of these patient and accessible songs
rewards the reader and speaker innumerably. With West of Angels,
Silberstein reminds us all why she is so widely welcomed and appreciated
by event hosts, editors, and anthologists alike.
Dr. Andy Jones Poet Laureate, Davis, CA
