J.C. OLANDER

Poet Chris Olander has been writing poetry since 1984, “articulating artistic words through music, spoken word and gestures: poetry experiences of energized body language.” Olander’s poetry arises from land-based ethics rooted in science, observation and reflection. “I explore human horrors and beautiful auras of mystical revelations and all that is possible in being here now. What we make of life is what we get. I create an action art poetry: musical image phrasing to dramatize relative experiences—a poetry from oral and bard traditions, a sound poet exploring meanings and ideas in rhythm patterns.”

He has worked as a Poet/Teacher with California Poets in Schools (CPITS), since 1984. He teaches and reads his work throughout California and in Oregon, Washington and Hawaii. He has been published in many anthologies, magazines and specialty publications; has an M.A. in Creative Writing CSUS 1984; has taught in 34 elementary schools and 25 high schools in 17 N. Ca. counties and elementary schools in Hawaii and Washington states.

Olander was a founding director of Poet’s Playhouse of Nevada City, 1988-99 and the Nevada County Poetry Series of Grass Valley, 2000-12. He has worked as an organizer and featured reader for the Berkeley Watershed Environmental Poetry Festival since 2001, as a Poetry Coach for California Arts Council’s Poetry Out Loud program since 2006 and was the California State Poetry Coach Champion in 2007, third place coach in 2013 and 2014; second place in 2015.

His three chapbooks, “Mass Man’s Epiphanies”, “December Birds” and “Iris” have each gone to press for a second printing.

Published two poetry books: “River Light”, Poetic Matrix Press, 2017; “Twilight Roses”, R. L. Crow Publications, 2021.

Olander completed four solo CD’s of his poetry in April 2013 to complement his pre-released CD Mass Man’s Epiphanies and his chapbooks. Two more CD’s with musical accompaniment, “Wild Women Wake” and “J. C. and the Apostles” were released in August 2014; “Silent Motif: Conference of Poets” a CD anthology of six poets with electronic music accompaniment was released in April 2015.

Olander, was poet laureate of Nevada County, CA 2017-2019, and was a founding member of Sierra Poetry Festival, 2015. He has read his work accompanied by improvisation, modern, ballet and Middle East belly dancers since 1996 at special events and dance recitals and has read with many musicians with various instruments for 30 years. He can be reached at jcjb@nccn.net.
 

J.C. Olander's newest work, WHO ARE WE.
160pp, Perfect Bound, Soft Cover

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In this book we travel in the psychic vehicle of Chris Olander’s poetic voice. It’s an ancient tradition, going back at least five thousand years to the magical beginnings of Chinese poetry. At that time poets had the shamanic skill of spirit travel, when poets were usually employed by dynastic courts to enter the heavens or deep into the earth to recover the lost soul of an emperor. People were suffering because he was too out of touch with the pragmatic needs of his subjects. The poet’s vehicle was his voice and his path  defined by the next word as it materialized under each spoken step. Rhythmic momentum was key. Olander invites us on a similar quest for our own souls. It's an ambitious book and full of psychic risk for the poet at a time when all human life hangs in the balance.

 

His journey began when he was first swept up by the ecstatic, perhaps Pentacostal, fire he felt in the swirling emerald pools below waterfalls of the Yuba under the guidance of sacred nymphs in the sixties. This book traces that journey into our present moment where, through his bardic voice, he attempts to digest by song the political mush everywhere around us down into the guts of hell, full of poison and endless treachery to witness cannibals and cutthroats slicing each other apart with flames that not even torrential rains can put out. The rain is full of microplastic just as the rain falling over the Rockies in Colorado has been discovered to be. This hissing acidic caldron cannot digest anything. It’s a true hell. Olander’s marvelous poems on food touch on this. One can’t help but wonder, in a world where fire can’t be put out by rain because rain is full of plastic, a form of fossil fuel, despite its having been birthed in the human mind as an idea, What sort of beast can the indigestible trash our culture creates be feeding?
 

Olander’s voice is embattled. At times he digresses into well-meaning didactic exhortations, a voice calling out while almost drowning in lies, delusions and human vanity. It’s not a tidy book, all wrapped up with the ribbon of genius. It’s the singing voice taking on the struggle for fragile tendrils wavering in the air for something to hold onto, the delicate beauty that keeps the apocalypse at bay. Blossoming ballerinas are there to see, and Olander performs a ballet of the ear to hear. We witness the struggle as we're nourished by the solace of his music yet the outcome is on us and unclear. Redemption lies in his perseverance. 

Gene Berson
Author; raveling travel,
Work Ethic of a Shopping Cart Shaman